From the Earth Changes painting series, Pole Shift/Amplitude acrylic on canvas 36″x36″
This painting recently sold at Art/Place Gallery in Fairfield, CT. The series of work is based on our changing and turbulent times, as foretold by Native Americans (long before “white man” came to shore) and more recently, Edgar Cayce, known as “The Sleeping Prophet” in the early to mid-20th century. My intention with creating these paintings is to envision our polarized society closer to harmony, even while extreme weather and events in nature suggest the magnetic pole shift is heavily underway. Can humans harmonize, demonstrate compassion and conscious action, even when nature is extreme and dangerous? Do we effect nature just as much as it may impact us? To learn more about pole shift, which Cayce predicted long before the idea of it was taken seriously, go to NASA.
Earth Changes Series: Pole Shift/ Foreshock
Join us at Westport Arts Center on Wednesday evening, November 15 at 6:00 for a reception celebrating the latest Westport Arts Collective Pop-up Show featuring many of the member’s work (including a few from my new series, Earth Changes).
A new painting, Girl and Uncles, is now at Art/Place Gallery in Fairfield, CT through April 9th 2017
I don’t often directly paint dreams, though I am continually inspired by my dreams. This particular dream was so soothing and wonderful, I wanted to capture its essence at least. In the dream, there was a girl sitting on a velvet chair in a living room with soft off white, feathery carpet. The floor was hilly! And it made perfect sense somehow. Soft, feathery shadows of trees and things danced across the hilly floors. The girl had two uncles, and both were busy making the home lovely for her. It was a magical dream.
Detail of a recent painting/ Elaine Clayton 2016
When we come together, something happens. Have you felt that synergy–the feeling of joining with others and a momentum begins? This happens especially when we connect with the intention to create out of a sense of love and goodness for the world.
A recent Spirit Painting
commissioned by a client 2016 copyright Elaine Clayton
Yesterday I painted a childhood scene, above. I was born and lived on the flat plains of the Texas Panhandle until I was about 10 years old. The land may be flat out there (oh yes, it defines “flat”), but the sky is multi-dimensional and ever changing. Clouds build in fathoms moving upward, their color and shape spectacularly mounting and powerful. Shadows from the clouds move like vast omens across the land at times. And when rain came, I remember running from it with other children in summer time, until at last, the cloud full of rain caught up with us, and giant round drops of warm water made dark circles on dry dirt, or on paved roads. The sky gave what the land did not–a particular elevated and hopeful, colorful, mysterious bounty. Where the land was austere, silent and seemingly ungiving for the most part, the sky was overly generous, entertaining and voluptuous. The wind was it’s agent, whirling up dust devils and making the songs of ghosts, the way it could howl an eerie song on some days. It brought jagged looking and well-beat tumbleweeds passing by. They seemed like roaming story tellers who happened along, and somewhat like victims of circumstance. The sky knew where they had been before. I grew up expecting the sky to tell me something. I learned to look at the clouds for information and guidance. The intuitive kind of knowing that comes from feeling inspired by the brilliance in nature is what I”m talking about here, the way sky communicates that which we ought to have recognized anyway, but need prompts and reminders. Gentle and sometimes dramatic. I believe the sky is “the veil” between us and heaven, and it symbolizes our ability to know intuitively and to quietly observe things which we need unveiled. It is like doing a tea reading, but instead of looking down into a tea cup, you just look up instead.
The Creation of the Hebrew Letter Shin copyright 2016 Elaine Clayton
I’m thrilled to show new work at the Westport Women’s Club this weekend. You are welcome and encouraged to join us April 30th from 5-8pm at the Westport Women’s Club in Westport, CT. There is a selection of fabulous artists showing their work. A percentage of sales goes to a worthy charity.
About Shin, this important and mystical letter is known as the “Eternal Flame”. To learn more about Shin, see this video.
Detail of a recent painting/ Elaine Clayton copyright 2016
As long as we have a feeling stir within the heart, which reminds us that we are not separate from those others we encounter, there is a chance for goodness, wholeness, deep love. Empathy is the act of perceiving the feelings of others as one’s own.
If we are not separate in truth, and are One in that we are all created in the image of the One God, the Great Creator, then it all makes sense to me. It is why a very old knowing was communicated and holds true: Treat others as you would like to be treated. Don’t do things to people you would not like to have done to you.
Life seems to teach us that when we do things that harm others, we get it back, in some form. This then teaches us how it feels to have been “the other person” and then we feel within ourselves that Oneness we were not conscious of before.
I see life as a kind of wild ride where we gain consciousness bit by bit, or sometimes through tragedy or crisis, through our own actions and because of the actions of others. What else is there? I’d rather be curious about others, and ask myself many times a day, “What would it feel like to be that person right now?”
And then to choose to be kind, loving, generous.
Get MAKING MARKS: Discover the Art of Intuitive Drawing and enjoy strengthening your empathic curiosity!
Painted Stream Drawing Elaine Clayton copyright 2016
Do you notice that throughout the day different memories drift into your mind and before you know it, you’ve got a running narrative of various painful thoughts? When I stream draw with people and we ready ourselves for a memory stream drawing, the memories that generally want our attention immediately are not all the happy ones. Ekhart Tolle describes this as the “pain body”—it is like an alternate self to who you truly are–an ego construct that hangs out with you, often makes decisions for you and runs your life–if you allow it. It is a hungry separate self carrying all the pain you’ve suffered and it feeds on more pain, and it will fight hard to stay with you in your every moment. You, the real you, the whole and complete and miraculous you in essence, is not this pain body.
So why do we let memories from so long ago or even yesterday, ruin our moment in the now? Why would we let this specter, this victim of life circumstances have power over our time, each moment? We don’t have to. The moment we notice this is happening, that we replay in our thoughts things that re-injure us, this is the pivotal opportunity because once YOU realize YOU can see that this pain has staying power, YOU are no longer identifying with the pain because you are now connecting to who you truly are–the observer, the witness to circumstances. Stream drawing is one way to get into that observer mode and fast, plus it is a physical action, which edifies your intention because it puts into action, and then into physical form via the actual drawing on paper.
Stream draw to get control over the pain body, and fly over it. And have some fun!